Large Abstract Paintings also presents a new vitality and vitality in its creation. Essentially speaking, oil painting is a change from the rational thinking of the West. Under the constant influence of Impressionism and abstractionism, it has achieved a new development. And for oil painting, it always gives people an elegant impression. Under the blurred lines, oil painting gives people a sense of visual blurring, which gives people a kind of experience of looking at flowers in fog. At the same time, it can enhance people's visual enjoyment and give people a sense of beauty. But in the process of examining oil painting, it is clear that distance is needed. If it is too close, it will be disturbed by factors such as reservoir and brush strokes.


The so-called return of traditional elements is to integrate western Black and White Abstract Canvas painting theory into Chinese traditional culture in order to form new content and endow oil painting with new artistic conception and connotation. And in this fusion, oil painting put on a unique Chinese style, which also promoted oil painting to get a new space for development.

Nowadays, with the rapid development of the times, new things and ideas are constantly promoting the integration and unification of contents in various fields. By using modern technology and means to replace traditional manual work, and by emancipating rational thinking, oil painting can realize its value in the process of development, and make oil painting achieve a new transformation and development. At the same time, it can lay a foundation for the later creation and development of Black and White Abstract Canvas Art. These factors have become the most fundamental reason for oil painting innovation. On the contrary, it is also the continuous development of oil painting technology that promotes the development of oil painting itself and keeps pace with the trend of the times. Whether in the peak period or in the lonely period, the techniques of oil painting creation will continue to move forward. In the process of the emergence of Western oil painting, oil painting was given a way of expression of culture. Before oil painting formed a civilized art, it covered all the elements that art should have. This also guarantees the freedom of thought in the process of creating oil paintings. And under the concept advocated by Western civilization, oil painting in the long-term development process, also implies the pursuit of spiritual level, and actively encourage the development of this spirit.

Oil painting, as a form of development, also encourages the development of this spiritual concept. And for Extra Large Modern Canvas Art oil painting, it is not only the product of artistic creation, but also the way of cultural transmission. By constantly showing its charm to people, it can leave valuable spiritual wealth for people in the long-term development tide of centuries. For each development stage of oil painting, they are laying the foreshadows for the next development stage, and each development stage is a new trend in the last development process.

It is difficult to understand Large Abstract Paintings. To visualize rare works, such as those involving Pollock's paintings, one can tell about his legendary experiences. It is said that Jackson Pollock, an American abstract Black and White Abstract Canvas Art expressionist painter, once held a personal exhibition. In order to understand the views of others on his works, Jackson Pollock mingled with visitors as a spectator.

Black and White Wall Art

Many people shake their heads and walk away after reading his works. Pollock is very helpless. Suddenly, a child pointed to a part of the Black and White Abstract Canvas Art painting and shouted, "Look, that place looks like a bird!" Pollock startled and looked in the direction the child pointed, and sure enough, the color was like a bird. Pollock quickly took out the prepared brushes and paints and quickly drew a few strokes there. Then he asked, "Are you still like a bird?" The child shook his head. So Pollock smiled happily. Although this story is not necessarily true and reliable, it vividly illustrates that abstract Big Black and White Painting is not based on the objective appearance of objects. Then there are students and the people who started abstract art who misunderstand the artists and think they are random. At this point, the artist's achievements or resume can be introduced to the audience in order to avoid misunderstanding. If you appreciate Wu Guanzhong's Abstract paintings, you can combine his realistic works to introduce the achievements of artists, so that students have a kind of respect for them, so as to avoid ignoring the occurrence of abstract artistic behavior.

On Friday night, in the basement of the guggenheim museum auditorium, Large Abstract Art Jeff koons in its usual calm and calm tone, told a packed audience below he often do
before you go to sleep, "in the evening, I a person like the thing is, when my wife is ready to go to bed,Extra Large Black and White Canvas and my children have to go to sleep, I
will surf the Internet", he said excitedly, "and I can only see Picasso's work. LARGE ACRYLIC PAINTING CONTEMPORARY ART 

Koons says Marshall duchamp has long had a profound influence on him, but over the past two decades, he has come to like and admire Picasso more and more.
In fact, he has already started collecting Picasso and has lent one of his Picasso paintings to "Picasso: black and white", now in the guggenheim gallery upstairs.
A 1969 painting depicting a balding man rudely kissing a woman now hangs near the top of the guggenheim rotunda.

Mr. Koons, a former student at the art institute of Chicago,Large Abstract Wall Art said he used to see Picasso's 50-foot-tall steel sculptures in daley plaza.
"I watched the kids climb on it," he recalled. "I climbed on it too!"Pepe carmel, an art historian who joined Mr. Koons' guggenheim conversation, said that Mr. Koons and the exhibition's curators spent four hours visiting Picasso's black-and-white exhibition -- and that Mr. Koons had a lot to say.Dr. Carmel was particularly surprised by Mr. Koons's reaction to Picasso's 1926 work, "the milliner's workshop."
"You mentioned, 'there was a lot of joy.
'" he said, adding that for him it was a "weird black picture.
It was a large painting with many gray and black shapes, and it showed Picasso's young lover Mary therese walter and her sister living with their mother.
Picasso's head seemed to come through a door."Just the smooth lines seem to express an optimism," koons explains.
The picture of the painting was on the screen behind him, and he was staring at the green laser spot on the bulb.
"It almost looks like a hand opening a door handle, but it can be seen as a symbol of Mary therese touching his penis," he enthuses.
There was some nervous laughter from the audience.


large wall art ideas online-The exploration of different styles of oil painting,Great Big Canvas more than a decade ago, has been heated debate and bold practice.
It has now been renewed, and more urgently.
What a delight!
Ten years imprisonment, suffocation,Black And White Painting rigid art life, from the negative education we: in addition to content, also must pay attention to artistic expression.
People hate that kind of hypocrisy content, but also can not bear that kind of imitation of the form, style.
The content is fabricated and requires "verisimilitude".
There was no feeling, no life, and no condition for a model.
Had to copy pictorial, copy photographs, made artificial, the same.
Imposed on people in the arts, all are forced to "appreciate" and "love" a genre, of course to cause great antipathy and confrontation.
Against the hypocrisy of photography,Contemporary Painting 

is not generally opposed to realistic style, expression techniques.
Otherwise, you go to the other extreme.
But at the moment the main problem is getting out of the box.
The content (theme) of the restricted area is to break through naturally, the style of the restricted area does not matter?
And the problem seems far more complex.
It is easier said than done.
This is not without reason. A little change in the form of honesty can still be exhibited and published. A little change can easily be described as "formalism" and "aestheticism".
Artists naturally want to be careful, or "honesty" a little insurance, "honesty" is realistic meaning, and realism is "realism".
Where did this idea come from?
Originally involves the question of oil painting, has been popular two kinds of view: "the feature of oil painting is the sense of reality!"
", "western modernist painting is totally decadent and decadent formalism, there is no merit!"
This seems to be an unwritten code and standard that distinguishes realism from formalism.
It's a no-go area, it's an academic question, and it's even more of an issue that the gang of four has done away with.
Although long argued and never resolved, as long as we do not adopt the policy of prohibition and repression, we will be allowed to argue academically, to criticize each other, to seek truth from facts, and to acknowledge the objective existence of things.
This can only benefit the development of art.
Now mainly from the decorative style of oil painting-EXTRA LARGE CONTEMPORARY PAINTING (or decorative) this point of view.

From the practical aspect, this paper discusses the views on the development of decoration style in western modern painting school, and what lessons can be drawn from their history to explore the development and nationalization of our decorative style oil painting.
In the criticism to the oil painting work, often hears like this: "how can oil painting like this?"
It's not about the level of art, it's about the method of expression.
To put it plainly, "painting is characterized by authenticity".
Is this generalization accurate?
Not at all.
The concept of oil painting neither refers to the method of expression nor the aesthetic standard. It refers to the performance of tools, materials and types of painting, which is different from prints, watercolors and other types of painting.
A technique of expression, or even a work of the same style, can be very different from one another.
So why is this a habitual concept?
Maybe there's a historical reason for that.
Oil painting is a young kind of painting in China, without its own national tradition, imported from the west.
The accepted influence was mainly the European painting tradition in the 19th century, but the general development was still after the liberation. Therefore, the influence of the Russian touring tradition was also needed.
(in fact, there is no contradiction between the two traditions, which Russia also sent from Italy and France.)
Any underestimation of this achievement of introduction is inappropriate, it is a good foundation, and it has played a great part in the revolution, as it has done and will continue to do, and it is not over.
However, due to various conditions, the original works of masters of various styles and genres in Europe are too few, and even better prints are rare. Therefore, the style often seen becomes the main and orthodox, which creates an impression, as if oil paintings are painted like this!
This is only one factor, and more importantly, the one-sidedness of some Soviet art theorists in the 1950s and '60s gave us a lot of influence.
For example: the deification tour school master, enhances the Russian school of painting the status, completely denies the various schools after impressionism and so on.
By the seventies, that view had become even more absurd.
The proliferation of the false photography which masquerades as realism causes the situation of dethroning all schools and dominating the painting circle.